ผู้เขียน: Andrew Dudley Andrew

Today s film scholars draw from a dizzying range of theoretical perspectives they re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist Andre Bazin. To stude …

Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contribu …

Kenji Mizoguchi’s masterpiece Sansh Day (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children f …

Kenji Mizoguchi’s masterpiece Sansh Day (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children f …

Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key …

Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contribu …