Memory, Space and Sound presents a collection of essays from scholars in a range of disciplines that together explore the social, spatial and temporal contexts that shape different forms of music and sonic practice. The contributors deploy different theoretical perspectives and methodological approaches from musicology, ethnomusicology, popular music studies, cultural history, media studies and cultural studies as they analyse an array of examples, including live performances, music festivals, audiovisual material and much more.
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สารบัญ
Chapter 1: Introduction
Johannes Brusila, Bruce Johnson and John Richardson
Part I: Memory
Chapter 2: Cultural Memory of Sound and Space: The Case of the Declaration of Christmas Peace in Turku, Finland
Yrjö Heinonen
Chapter 3: Authenticities on Display: Reflections on a Staged Pink Floyd Concert
Lars Kaijser
Chapter 4: On the Remembered Relationship between Listeners and C-Cassette Technology
Kaarina Kilpiö
Chapter 5: Affective Memories of Music in Online Heritage Practice
Paul Long and Jez Collins
Part II: Space
Chapter 6: Music as Cartography: English Audiences and Their Autobiographical Memories of the Musical Past
Sarah Cohen
Chapter 7: Serbia’s Exit and Gucˇa Trumpet Festivals as Micro-National Spaces: Between Nation Building and Nation Branding
Jelena Gligorijevic´
Chapter 8: Here, There and in between: Radio Spaces before the Second World War
Morten Michelsen
Part III: Sound
Chapter 9: Space and Place in Electroacoustic Music
James Andean
Chapter 10: The Repeated Tone of Civilization
Jeffrey L. Benjamin
Chapter 11: Hearing the Music
Claudia Gorbman
List of Contributors
Index
เกี่ยวกับผู้แต่ง
Kari Kallioniemi is a researcher, adjunct professor and the leader of the ‘Thatcherism, Popular Culture and the 1980s’ project at the Cultural History department, University of Turku. His research interests focus on the relationships between different notions of nationality, neo-right and popular culture. His recent book on this subject is Englishness, Pop and Post-War Britain (Intellect, 2016). His current project deals with the themes of fascination with fascism in popular culture.
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