ผู้เขียน: Callan Davies

Callan Davies presents "strangeness" as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one that would have been deeply familiar to its playwr …

Callan Davies presents "strangeness" as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one that would have been deeply familiar to its playwr …

This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and pro …

This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and pro …

This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephem …

This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephem …

‘Here will be an old abusing of God’s patience and the King’s English.’The Merry Wives of Windsor is the only Shakespeare play named entirely after female characters and his only comedy set in Englan …

‘Here will be an old abusing of God’s patience and the King’s English.’The Merry Wives of Windsor is the only Shakespeare play named entirely after female characters and his only comedy set in Englan …