John Mc Grath’s plays are compulsory reading and viewing for students of drama, film and television courses in many University and Further Education departments and yet despite recognition of the central importance of Mc Grath’s work, very little has been written about him. This is the first full-length study of his work.
This book illuminates the importance of John Mc Grath’s role in the development of theatre, film and television in the last four decades of the twentieth century. Through play and script-writing, through directing, producing and co-ordinating work, and through his critical, political and philosophical reflections, Mc Grath exerted a powerful influence over developments and innovations in all three art forms.
The contributors include film and television directors, actors, designers, writers, university researchers and journalists, many of whom worked with Mc Grath. Questions of day-to-day working practice are addressed alongside broader political and aesthetic concerns, and the question of Mc Grath’s relationship to and influence on the arts in Scotland receives careful consideration.
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List of Illustrations
Notes on Contributors
Acknowledgements
Foreword by Richard Eyre
Introduction by David Bradby and Susanna Capon
Part One: Culture and the Socialist Vision
1. Theatre, Theory and Politics: The Contribution of John Mc Grath, Maria Di Cenzo
Part Two: Early Work
2. Get Out and Get On: Events While Guarding the Bofors Gun, Peter Thomson
3. A Life Outside: John Mc Grath and the Everyman Theatre, Liverpool, Ros Merkin
4. ‘Serjeant Musgrave Dances to a Different Tune’: John Mc Grath’s Adaptation of John Arden’s Serjeant Musgrave’s Dance, John Bull
5. Finding the Right Places, Finding the Right Audiences: Topicality and Entertainment in the Work of England, Nadine Holdsworth
Part Three: John Mc Grath and Scotland
6. Border Warranty: John Mc Grath and Scotland, Randall Stevenson
7. Celtic Centres, the Fringes and John Mc Grath, Ian Brown
8. Bursting through the hoop and dancing on the edge of the seediness’: Five Scottish Playwrights Talk about John Mc Grath, Ian Brown
Part Four: Case Studies
9. The Television Adaptation of The Cheviot, the Stag and the Black, Black Oil, Robin Nelson
10. A Practical Realism: Mc Grath, Brecht, Lukacs and Blood Red Roses, Stephen Lacey
11. A Good Night In: The Long Roads, Robert Dawson-Scott
12. Three One-Woman Epics: The Political Performer, Olga Taxidou
Part Five: Working with John
13. Working with John-Interviews by Susanna Capon:
Pamela Howard
Bill Paterson
Troy Kennedy Martin
Jack Gold
John Bett
Jenny Tiramani
Elizabeth Mac Lennan
Works by John Mc Grath
Notes
Index
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Susanna Capon is Senior Lecturer in the Department of Media Arts at Royal Holloway. She was previously a producer and director in the television industry and she is Course Director of the first vocational MA in Producing for Film and Television.
The late David Bradby was Professor of Drama and Theatre Studies, Royal Holloway, University of London. His published books include Beckett: Waiting for Godot , The Theater of Michel Vinaver , Modern French Drama 1940-1990 and, with Annie Sparks, Mise en Scène: French Theatre Now
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