ผู้เขียน: David Worrall

สนับสนุน
​ David Worrall is an Australian composer and sound artist working a range of genres, including data sonification, sound sculpture and immersive polymedia (a term he coined in 1986) as well as traditional instrumental music composition. Worrall studied musical composition at The University of Sydney and went on to develop a creative practice encompassing a number of endeavours: instrumental and electroacoustic composition, sound poetry and sound installations. He is a programmer in several computer languages and has developed software for music composition, text transformation and sonification. Worrall was appointed to the Faculty of Music at the University of Melbourne in 1979, where he designed and taught the first undergraduate course in computer music. In 1986 he was appointed director of the Electronic Music Studios at the Canberra School of Music. He established and became the foundation head of the Australian Centre for the Arts and Technology (ACAT) at the Australian National University in 1989, a position he held for over a decade. Worrall has been a regional editor for Organised Sound (Cambridge University Press) since 1996. Since 2000 he has worked as an academic and freelance composer, experimental artist and researcher. He was a senior research fellow (2013–2017) in sonification in the Emerging Audio Research Group at Fraunhofer Society and is currently professorial chair of the Audio Arts and Acoustics Department at Columbia College Chicago and an adjunct senior research fellow in the School of Music, the Australian National University. 




9 หนังสืออิเล็กทรอนิกส์โดย David Worrall

David Worrall: Theatric Revolution
The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresse …
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€72.14
David Worrall: Celebrity, Performance, Reception
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€39.83
David Worrall: Celebrity, Performance, Reception
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€39.65
David Worrall: Harlequin Empire
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on th …
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€61.62
David Worrall: Harlequin Empire
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on th …
PDF
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DRM
€61.48
Steve Clark & David Worrall: Historicizing Blake
Historicizing Blake puts Blake back into the cultural context of his times. These new essays by both established and younger scholars re-address Blake’s contemporary milieu after the neglect of ten y …
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€114.90
Steve Clark & David Worrall: Blake in the Nineties
The 1990s have witnessed a major reassessment of Blake initiated by a new and more rigorous comprehension of his modes of production, which in turn has led to re-evaluation of other literary and cult …
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€114.33
David Worrall: Harlequin Empire
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on th …
PDF
DRM
€44.97
David Worrall: William Blake’s Visions
This book is an inquiry into whether what Blake called his ‘visions’ can be attributed to recognizable perceptual phenomena. The conditions identified include visual hallucinations (some derived …
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€128.39