ผู้เขียน: Elsaesser Thomas Elsaesser

Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a crisis of criticism and mourned the death of the critic. Now that well-paying jobs in film …

This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe’s core Enli …

This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe’s core Enli …

Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the ‘death of cinema’ debate, Film History as Media Archaeology presents a robust argument for th …

Metropolis is a monumental work. On its release in 1925, after sixteen months’filming, it was Germany’s most expensive feature film, a canvas for director Fritz Lang’s increasingly extravagant ambiti …

In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for mil …

In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for mil …

Metropolis is a monumental work. On its release in 1925, after sixteen months’filming, it was Germany’s most expensive feature film, a canvas for director Fritz Lang’s increasingly extravagant ambiti …