Gimeno Ugalde Esther Gimeno Ugalde & Sartingen Kathrin Sartingen 
Directoras de cine en España y América Latina [PDF ebook] 
Nuevas voces y miradas

This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practi …

The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional ”high art”, theatre for development, queer and trans …

First published in 2005. Written for the benefit of travellers to Japan, this concise guide explains all aspects of the Noh performance, including the layout of the theatre, music, masks and costumes …

Ninette de Valois was an extraordinary woman. Not only did she create The Royal Ballet, The Royal Ballet School and the company that has become Birmingham Royal Ballet – in themselves great achieveme …

Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – …

”Essential reading for any young actor” Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the p …

This unique book offers a complete course in how to do any accent and also gives you the tools to navigate your way through a specific accent. Using solid technical know-how, clear practical steps, r …

The arts and cultural sector has always been a challenging area in which to find business success; the advent of the global health crisis due to COVID-19 has greatly amplified these challenges. Thank …

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner”s work and legacy, a discussion of …

Romeo and Juliet always use ”thou” to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as ”thou”, but no man ever does …