ผู้เขียน: Heller-Nicholas Alexandra Heller-Nicholas

Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titl …

Winner of the the 2021 Best Edited Collection Award from BAFTSSWinner of the 2021 British Fantasy Award in Best Non-Fiction??Finalist for the 2020 Bram Stoker Award for Superior Achievement in Non-Fi …

As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular tren …

Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demogr …

Winner of the the 2021 Best Edited Collection Award from BAFTSSWinner of the 2021 British Fantasy Award in Best Non-Fiction??Finalist for the 2020 Bram Stoker Award for Superior Achievement in Non-Fi …

Witches and witchcraft are potent metaphors for feminine power, with a history that predates the advent of cinema. The figure of the witch represents a particularly fraught, contested kind of gendere …