24 conversazioni apparse su Fata Morgana con grandi figure della contemporaneità, studiosi e artisti che parlano del cinema facendone un luogo del pensiero e una forma di vita. Un viaggio in cui il cinema e l’immagine, più di ogni altra forma d’arte, si riscoprono indissolubilmente legati alla complessità del nostro presente. Per la prima volta riunite e tradotte in inglese in un’unica pubblicazione, queste conversazioni offrono al lettore una costellazione unica di autori e temi per pensare il cinema a partire dal nostro presente e viceversa. 24 conversations originally published by Fata Morgana with important scholars and artists who have intended cinema as a place of thought and a form of life. A unique constellation of authors and themes in which cinema and the image, more than any other art form, are inextricably intertwined with the complexity of the contemporary. Edited and translated into English for the first time, these conversations offer to the reader a unique constellation of authors and themes, which leads one to reconsider cinema starting from our present and vice versa.Roberto De Gaetano is full professor of Filmology at the University of Calabria (Italy). He is the author of important books on the relationship between cinema and philosophy (Il cinema secondo Gilles Deleuze, Bulzoni, 1996; Il visibile cinematografico, Bulzoni, 2002; La potenza delle immagini, Ets, 2012), cinema and the contemporary (L’immagine contemporanea. Cinema e mondo presente, Marsilio, 2010), and authors and forms of Italian cinema (Il corpo e la maschera. Il grottesco nel cinema italiano, Bulzoni, 1999; Nanni Moretti. Lo smarrimento del presente, Pellegrini, 2015). He is the Editor of the three-volume edition Lessico del cinema italiano. Forme di rappresentazione e forme di vita (Mimesis, 2014-2016), and the Editor in Chief of Fata Morgana. Francesco Ceraolo (Ph D, Qmul) teaches Film Analysis and Theater and Opera at the University of Calabria (Italy). His work mainly focuses on the relationship between philosophy, performing and visual arts. Among his recent publications are Verso un’estetica della totalità. Una lettura critico-filosofica del pensiero di Richard Wagner (Mimesis, 2013) and the chapter entitled ‘Opera’ in Lessico del cinema italiano. Forme di rappresentazione e forme di vita (Mimesis, 2015). He has edited and translated into Italian Alain Badiou’s writings on the theater (Rapsodia per il teatro. Arte, politica, evento, Pellegrini, 2015). In 2015 he was awarded the ‘Arthur Rubinstein – A Life In Music’ Prize by Teatro La Fenice for his musicological scholarship. He is a member of the Editorial Board of Fata Morgana.
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