Following (1998) to
Interstellar (2014), Christopher Nolan’s films explore philosophical concerns by experimenting with nonlinear storytelling while also working within classical Hollywood narrative and genre frameworks. Contextualizing and closely reading each of his films, this collection examines the director’s play with memory, time, trauma, masculinity, and identity, and considers the function of music and video games and the effect of IMAX on his work.
สารบัญ
Acknowledgements
Notes on Contributors
Foreword: Are You Watching Closely?, by Will Brooker
Introduction: Dreaming a Little Bigger, Darling, by Stuart Joy
1. Developing an Auteur Through Reviews: The Critical Surround of Christopher Nolan, by Erin Hill-Parks
2. Cinephilia Writ Large: IMAX in Christopher Nolan’s The Dark Knight and The Dark Knight Rises, by Allison Whitney
3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige, by Jonathan Olson
4. Saints, Sinners and Terrorists: The Women of Christopher Nolan’s Gotham, by Tosha Taylor
5. Memento’s Postmodern Noir Fantasy: Place, Domesticity and Gender Identity, by Margaret A. Toth
6. Men in Crisis: Christopher Nolan, Un-truths and Fictionalising Masculinity, by Peter Deakin
7. Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan’s New Millennial Films, by Fran Pheasant-Kelly
8. ‘The dream has become their reality’: Infinite Regression in Christopher Nolan’s Memento and Inception, by Lisa K. Perdigao
9. Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed, by Stuart Joy
10. ‘You keep telling yourself what you know, but what do you believe?’: Cultural Spin, Puzzle Films and Mind Games in the Cinema of Christopher Nolan, by Sorcha Ní Fhlainn
11. Stumbling Over the Superhero: Christopher Nolan’s Victories and Compromises, by Todd Mc Gowan
12. Inception’s Singular Lack of Unity Among Christopher Nolan’s Puzzle Films, by Andrew Kania
13. Inception’s Video Game Logic, by Warren Buckland
14. On the Work of the Double in Christopher Nolan’s The Prestige, by Kwasu David Tembo
15. No End in Sight: The Existential Temporality of Following, by Erin Kealey
16. Hearing Music in Dreams: Towards the Semiotic Role of Music in Nolan’s Inception, by Felix Engel and Janina Wildfeuer
17. About Time Too: From Interstellar to Following, Christopher Nolan’s Continuing Preoccupation with Time-Travel, by Jacqueline Furby
Index
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Jacqueline Furby is senior lecturer in film and Stuart Joy is associate lecturer in film and television at Southampton Solent University.หนังสืออิเล็กทรอนิกส์เพิ่มเติมจากผู้แต่งคนเดียวกัน / บรรณาธิการ
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