This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future.
Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history.
The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel’s contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
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Part I: The uses of myth and history
1. The uses of myth and history in the ideological politics of the Dutch Golden Age
Jonathan I. Israel
2 The past in a foreign country: Patriotic history and New World geography in the Dutch Republic, c. 1600–1648
Benjamin Schmidt
3. A noble courtier and a gentleman warrior: Some aspects of the creation of the Spinola image
Bart De Groof
4. The cult of the seventeenth-century Dutch naval heroes: Critical appropriation of a popular patriotic tradition
Cynthia Lawrence
5. Patriotism in Dutch literature (c. 1650–c. 1750)
Marijke Meijer Drees
6. Groen van Prinsterer’s interpretation of the French Revolution and the rise of ‘pillars’ in Dutch society
Harry Van Dyke
7. Memories and identities in conflict: The myth concerning the battle of Courtrai (1302) in nineteenth-century Belgium
Gevert H. Nörtemann
8. The concept of nationality in nineteenth-century Flemish theatre discourse: Some preliminary remarks
Frank Peeters
Part II: The past as illumination of cultural context
9. Sinte Lorts bewaer u. Sinte Lorts gespaer u! Paradox as the key to a ‘new morality’ in a late medieval text
Anna Jane Harris
10. The Bible in modern Dutch fiction
Jaap Goedegebuure
11. The antiquity of the Dutch language: Renaissance theories on the language of Paradise
Henri A. Krop
12. Maarten van Heemskerck’s use of literary sources from antiquity for his Wonders of the World series of 1572
Ron Spronk
13. The legacy of Hegel’s and Jean Paul’s aesthetics: The idyllic in seventeenth-century Dutch genre painting
Christiane Hertel
Part III: Historiography in focus
14. The rhetoric of narrative historiography
Anne Marie Musschoot
15. The disciplinization of historiography in nineteenth-century Friesland and the simultaneous radicalization of nationalist discourse. Source: De Friesche Volksalmanak (1836–1899)
Liesbeth Brouwer
16. The unimportance of writing well: Eighteenth-century Belgian historians on the problem of style of history
Tom Verschaffel
17. The apostle of a wooden Christ: P. N. van Eyck and the journal Leiding
Frans Ruiter
18. Menno Ter Braak in Dutch literature: Object and subject of image-building
Nel Van Dijk
19. The reviled and the revered: Preliminary notes on the reappraisal of canonized literary texts
Godfrey Meintjes
20. Postmodern Dutch literature: Renewal or tradition?
Marcel Janssens
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Ulrich Tiedau is Associate Professor of Dutch at UCL and an Associate Director of the UCL Centre for Digital Humanities. In addition, he serves as editor-in-chief of Dutch Crossing: Journal of Low Countries Studies.
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