In this fascinating book, Jennifer Ann Bates examines shapes of self-consciousness and their roles in the tricky interface between reality and drama. Shakespeare’s plots and characters are used to shed light on Hegelian dialectic, and Hegel’s philosophical works on art and politics are used to shed light on Shakespeare’s dramas. Bates focuses on moral imagination and on how interpretations of drama and history constrain it. For example: how much luck and necessity drive a character’s actions? Would Coriolanus be a better example than Antigone in Hegel’s account of the Kinship-State conflict? What disorients us and makes us morally stuck? The sovereign self, the moral pragmatics of wit, and the relationship between law, tragedy, and comedy are among the multifaceted considerations examined in this incisive work. Along the way, Bates traces the development of deleterious concepts such as fate, anti-Aufhebung, crime, evil, and hypocrisy, as well as helpful concepts such as wonder, judgment, forgiveness, and justice
สารบัญ
Preface
Acknowledgments
List of Abbreviations
Introduction
PART I. Sublations in Tragedy and Comedy
1. A Hegelian Reading of Good and Bad Luck in Shakespearean Drama
(
Phen. of Spirit,
King Lear,
Othello,
Hamlet,
A Midsummer Night’s Dream)
2. Tearing the Fabric: Hegel’s Antigone, Shakespeare’s Coriolanus, and Kinship-State Conflict
(
Phen. of Spirit C. 6, Judith Butler’s
Antigone,
Coriolanus)
3.
Aufhebung and
Anti-Aufhebung:
Geist and Ghosts in
Hamlet
(
Phen. of Spirit,
Hamlet)
4. The Problem of Genius in
King Lear: Hegel on the Feeling Soul and the Tragedy of Wonder
(
Anthropology and Psychology in the
Encyclopaedia Philosophy of Mind,
King Lear)
PART II. Ethical Life and the History Plays: The Development of Negative Infinite Judgment and the Limits of the Sovereign Self
Section 1: Sovereign Alienation and the Development of Wit
5. Richard II’s Mirror and the Alienation of the Universal Will (of the ‘I’ that Is a ‘We’)
(
Richard II,
Phen. of Spirit C. 5)
6. Falstaff and the Politics of Wit: Negative Infinite Judgment in a Culture of Alienation
(
Henry IV parts I & II,
Phen. of Spirit C. 6,
Philosophy of Right)
Section 2: Sovereign Deceit and the Rejection of Wit
7. Henry V’s Unchangeableness: His Rejection of Wit and His Posture of Virtue Reinterpreted in the Light of Hegel’s Theory of Virtue
(
Philosophy of Right,
Henry V)
8. Hegel’s Theory of Crime and Evil: (Re)tracing the Rights of the Sovereign Self
(
Aesthetics,
Phen. of Spirit,
Phil. of Right,
Richard II through to
Henry V)
9. Richard III, Hamlet, Macbeth, and Henry V: Conscience, Hypocrisy, Self-Deceit and the Tragedy of Ethical Life
(
Phil. of Right,
Richard III,
Hamlet,
Macbeth,
Henry V)
Section 3: Sovereign Wit and the End of Alienation
10. Negation of the Negative Infinite Judgment vs. Sublation of It: Punishment vs. Pardon in
The Philosophy of Right and
Henry VIII (
Phil. of Right,
Phen. of Spirit C. 6 and
Henry VIII)
PART III. Universal Wit: The Romance Plays and Absolute Knowing
11. Universal Wit—The Absolute Theater of Identity
(
Phen. of Spirit C. 6 and 8,
Pericles,
The Tempest)
12. Absolute Infections and Their Cure
(
Phen. of Spirit C. 6,
The Winter’s Tale)
Notes
Bibliography
Index
เกี่ยวกับผู้แต่ง
Jennifer Ann Bates is Associate Professor of Philosophy at Duquesne University. She is the author of
Hegel’s Theory of Imagination, also published by SUNY Press.
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