Oedipus in Jerusalem begins with the unexpected meeting of the blinded Oedipus and the biblical prophet Nathan outside of Thebes. As the play unfolds, Nathan brings Oedipus to the Great Sanhedrin in Jerusalem for a formal trial with regard to his actions of patricide and his subsequent incest with his mother. The author of this play uses the characters and facts that exist in Oedipus Rex, the Athenian tragedy by the Greek playwright Sophocles, but employs the Sanhedrin to reach a dramatically different conclusion with implications for present times. Sophocles himself serves as accuser while Nathan defends Oedipus, who insists he is guilty. Oedipus in Jerusalem highlights the differences in Greek and Judaic worldviews, especially regarding determinism versus free will, the essence of moral behavior, and the actual concrete way in which Oedipus’ ‘fate’ unfolds. As a side note, Oedipus in Jerusalem suggests that the so-called oedipus complex, first described by Sigmund Freud, is actually somewhat of a misnomer when applied to Oedipus himself, and obscures the deeper meaning of his story.
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J. Harold Ellens is a retired professor of philosophy and psychology, who spent the last decade and a half as Research Scholar at the University of Michigan. He is the author of Probing the Frontiers of Biblical Studies and Honest Faith in Our Time (both with Pickwick Publications). For more information, you may visit Dr. Ellens’ website at www.JHarold Ellens.com.
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