The fantastic has been particularly prolific in Hispanic countries during the twentieth and twenty-first centuries, largely due to the legacy of short-story writers as well as the Latin-American boom that presented alternatives to the model of literary realism. While these writers’ works have done much to establish the Hispanic fantastic in the international literary canon, women authors from Spain and Latin America are not always acknowledged, and their work is less well known to readers. The aim of this critical anthology is to render Hispanic female writers of the fantastic visible, to publish a representative selection of their work, and to make it accessible to English-speaking readers. Five short stories are presented by five key authors. They attest to the richness and diversity of fantastic fiction in the Spanish language, and extend from the early twentieth to the twenty-first century, covering a range of nationalities, cultural references and language specificities from Spain, Mexico, Puerto Rico and Argentina.
สารบัญ
Acknowledgements
The Fantastic: Towards a Feminist Perspective
Emilia Pardo Bazán – ‘La resucitada’ (1912)
Amparo Dávila – ‘El huésped’ (1959)
Rosario Ferré – ‘La muñeca menor’ (1976)
Cristina Fernández Cubas – ‘El ángulo del horror’ (1990)
Ana María Shua – ‘Vida de perros’ (2000)
General Bibliography
Temas de debate y discusión
Selected Vocabulary
Index
Other titles in the series
เกี่ยวกับผู้แต่ง
The book is designed as course material for English-speaking students taking modules in translation, literature or gender-studies within the degrees of Hispanic Studies.
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