This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model estab...
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Chapter 1: Introduction: Theories of Perceiving Art.- Chapter 2: Facet Theory and the Mapping Sentence .- Chapter 3: A Mereological Model for Perceiving and Understanding Ar...
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Paul holds Ph Ds in psychology and fine art. He is a professor teaching ethnography at Emerson College, Boston and is a visiting academic in the Department of Philo...