The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts.
- Provides an accessible and well-written introduction to the genre of crime fiction
- Moves with ease between a general overview of the genre and useful theoretical approaches
- Includes a close analysis of the key texts in the crime fiction tradition
- Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart.
- Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions
สารบัญ
Acknowledgments vii
Introductory Note ix
Part 1 Introduction 1
Part 2 The Politics, Main Forms, and Key Concerns of Crime Fiction 9
The Politics of Crime Fiction 11
The Types of Crime Fiction 27
Classical Detective Fiction 27
Hard-Boiled Detective Fiction 34
The Police Novel 41
Transgressor Narratives 50
Vision, Supervision, and the City 60
Crime and the Body 75
Gender Matters 85
Representations of Race 96
Part 3 Some Key Works in Crime Fiction 107
Edgar Allan Poe: “The Murders in the Rue Morgue” (1841) 109
Arthur Conan Doyle: The Sign of Four (1890) 116
Agatha Christie: The Murder of Roger Ackroyd (1926) 127
Dashiell Hammett: The Maltese Falcon (1930) 136
Raymond Chandler: The Big Sleep (1939) 143
James M. Cain: Double Indemnity (1936) 151
Patricia Highsmith: The Talented Mr. Ripley (1955) 159
Chester Himes: Cotton Comes to Harlem (1965) 167
Maj Sjöwall and Per Wahlöö: The Laughing Policeman (1968) 176
James Ellroy: The Black Dahlia (1987) 187
Thomas Harris: The Silence of the Lambs (1988) 198
Patricia Cornwell: Unnatural Exposure (1997) 208
Ian Rankin: The Naming of the Dead (2006) 218
Stieg Larsson: The Girl with the Dragon Tattoo (2005) 227
End Note 241
References 243
Index 253
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Peter Messent is Emeritus Professor of Modern American Literature at the University of Nottingham. A specialist on Mark Twain, Ernest Hemingway, and crime fiction, he has published numerous books and articles on a variety of nineteenth- and twentieth-century American writers. His most recent publication is the prize-winning book Mark Twain and Male Friendship (2009).
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