What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.
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Editorial
Graham Holderness
Introduction: Creative Critical Shakespeares
Rob Conkie and Scott Maisano
Chapter 1. Responses to Responses to Shakespeare’s Sonnets: More Sonnets
Matthew Zarnowiecki
Chapter 2. Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the Alternate Universe
Kavita Mudan Finn and Jessica Mc Call
Chapter 3. A Merry Midsummer Labor Merchant’s Tempest in King Beatrice’s Verona
Jessica Mc Call
Chapter 4. Pickled Red Herring
Kavita Mudan Finn
Chapter 5. Enter Nurse, or Love’s Labour’s Won
Scott Maisano
Chapter 6. Echo and Narcissus, or, Man O Man!
Mary Baine Campbell
Chapter 7. The Fair Maid of Alexandria, or The Glass Tower
Dan Moss
Chapter 8. A Tragedy of the Plantation of Virginia
David Nicol
Chapter 9. Othello, Original Practices: A Photographic Essay
Rob Conkie
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Scott Maisano is Associate Professor of English Literature at the University of Massachusetts Boston. His work on Shakespeare has been featured in Lapham’s Quarterly, Smithsonian Magazine, Scientific American, The Telegraph, Ideas with Paul Kennedy (CBC Radio), and The Science Show (Australian Broadcasting Company). He teaches classes on Shakespearean Scene Writing to undergraduate and graduate students and chaired a workshop on the topic at the Shakespeare Association of America.
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