ผู้เขียน: Robert Shaughnessy

This book examines the modern performance history of one of Shakespeare’s best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goe …

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Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienc …

Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienc …

This text traces the changing theatrical and cultural identity of the History plays in the context of postwar social and political conflict, crisis and change. Since the company’s inception in the ea …

This text traces the changing theatrical and cultural identity of the History plays in the context of postwar social and political conflict, crisis and change. Since the company’s inception in the ea …

This edition of four Renaissance comedies represents the vitality, range and diversity of the English comic drama of the late sixteenth and early seventeenth centuries, reflecting both its capacity f …

This book examines the modern performance history of one of Shakespeare’s best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goe …

The National Theatre’s years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier’s Othello and Shylock, a radical all-male As You Like It, the Berlin …

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Shakespeare’s roots in applied and participatory performance practices have been recently explored within a wide variety of educational, theatrical and community settings. Shakespeare and Social Enga …

Shakespeare’s roots in applied and participatory performance practices have been recently explored within a wide variety of educational, theatrical and community settings. Shakespeare and Social Enga …

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This edition of four Renaissance comedies represents the vitality, range and diversity of the English comic drama of the late sixteenth and early seventeenth centuries, reflecting both its capacity f …

The National Theatre’s years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier’s Othello and Shylock, a radical all-male As You Like It, the Berlin …