ผู้เขียน: UK) Pavis Patrice (University of Kent

‘We have good reason to be wary of mise en scene, but that is all the more reason to question this wariness … it seems that images from a performance come back to haunt us, as if to prolong and tra …

‘We have good reason to be wary of mise en scene, but that is all the more reason to question this wariness … it seems that images from a performance come back to haunt us, as if to prolong and tra …

Western culture has a long and fraught history of cultural appropriation, a history that has particular resonance within performance practice. Patrice Pavis asks what is at stake politically and aest …

Western culture has a long and fraught history of cultural appropriation, a history that has particular resonance within performance practice. Patrice Pavis asks what is at stake politically and aest …

The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one …

The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one …