As comemorações do centenário da Semana de Arte Moderna de 1922 trazem, em meio às diversas promoções alusivas, novos retrospectos e balanços críticos acerca do legado de 22. Os artigos reunidos neste livro celebram sua importância para a modernização do Brasil, mas também questionam o “projeto hegemônico” paulista e o processo de construção da historiografia literária brasileira que consagraram e legitimaram, através da produção e difusão da teoria-crítica da literatura e das artes brasileiras, autores, publicações e iniciativas culturais, produzindo, segundo essas perspectivas revisionistas, totalidades e silenciamentos. Certamente o Modernismo não fez o Brasil, mas sem ele como compreender o país de hoje e os silêncios dele derivados?
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