ผู้เขียน: Zelmarie Cantillon

Lauren Istvandity is a postdoctoral research fellow at the Queensland Conservatorium Research Centre at Griffith University, Australia. Her most recent research spans jazz music heritage, archives and museums, and personal memory. Istvandity is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019), co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). Sarah Baker is professor of cultural sociology at Griffith University, Australia. Her current research explores the community heritage sector and the preservation and curation of popular music in museums, archives and halls of fame. Baker is the author of Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017); co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019) and Creative Labour: Media Work in Three Cultural Industries (2011); editor of Popular Music Heritage: Do-It-Yourself, Do-It-Together (2015); and co-editor of The Routledge Companion to Popular Music History and Heritage (2018), Youth Cultures and Subcultures: Australian Perspectives (2015) and Redefining Mainstream Popular Music (2013).  Zelmarie Cantillon is a postdoctoral research fellow in the Griffith Centre for Social and Cultural Research at Griffith University, Australia. Her current research focuses on the intersections between urban identity, heritage and popular culture. Cantillon is the author of Resort Spatiality: Reimagining Sites of Mass Tourism (2019) and co-editor of The Routledge Companion to Popular Music History and Heritage (2018).