“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement
Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (
Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Yazar hakkında
Roger Parker, professor of music at King’s College London, writes on opera and music in London. He is the author of Leonora’s Last Act and Remaking the Song and was a founding coeditor of the Cambridge Opera Journal. He lives in Hampshire.
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Dil İngilizce ● Biçim EPUB ● Sayfalar 576 ● ISBN 9780393089530 ● Dosya boyutu 124.8 MB ● Yayımcı W. W. Norton & Company ● Ülke US ● Yayınlanan 2015 ● İndirilebilir 24 aylar ● Döviz EUR ● Kimlik 7467767 ● Kopya koruma Adobe DRM
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