The most comprehensive volume on one of the most controversial directors in American film history
A Companion to D.W. Griffith offers an exhaustive look at the first acknowledged auteur of the cinema and provides an authoritative account of the director’s life, work, and lasting filmic legacy.
The text explores how Griffith’s style and status advanced along with cinema’s own development during the years when narrative became the dominant mode, when the short gave way to the feature, and when film became the pre-eminent form of mass entertainment. Griffith was at the centre of each of these changes: though a contested figure, he remains vital to any understanding of how cinema moved from nickelodeon fixture to a national pastime, playing a significant role in the cultural ethos of America.
With the renewed interest in Griffith’s contributions to the film industry, A Companion to D.W. Griffith offers a scholarly look at a career that spanned more than 25 years. The editor, a leading scholar on D.W. Griffith, and the expert contributors collectively offer a unique account of one of the monumental figures in film studies.
* Presents the most authoritative, complete account of the director’s life, work, and lasting legacy
* Builds on the recent resurgence in the director’s scholarly and popular reputation
* Edited by a leading authority on D.W. Griffith, who has published extensively on this controversial director
* Offers the most up-to-date, singularly comprehensive volume on one of the monumental figures in film studies
İçerik tablosu
Contributors viii
Preface ix
Paolo Cherchi Usai
Introduction 1
Charlie Keil
Part One Griffith Redux
1 Disciplinary Descent: Film Studies, Families, and the Origins of Narrative Cinema 17
Jennifer M. Bean
2 Griffith’s Moral Profile 34
Ben Singer
3 ‘The Beauty of Moving Wind in the Trees’: Cinematic Presence and the Films of D.W. Griffith 74
Daniel Fairfax
Part Two Style in the Biograph Era
4 D.W. Griffith and the Emergence of Crosscutting 107
André Gaudreault and Philippe Gauthier
5 D.W. Griffith and the Primal Scene 137
Tom Gunning
6 Griffith’s Biograph Shorts: Electric Power and Film Style, from East to West 150
Charles O’Brien
Part Three Imagery and Intermediality
7 Deep Theatrical Roots: Griffith and the Theater 175
David Mayer
8 Notes on Floral Symbolism, Allegory, and Intermediality in the Films of D.W. Griffith 191
Jan Olsson
9 Living Portraits: Signs of (the) Time in D.W. Griffith 216
Joyce E. Jesionowski
Part Four Gender and Progressivism
10 Griffith’s Body Language and Film Narration: ‘The Voluptuary’ Versus ‘the Spirituelle’ 245
Maggie Hennefeld
11 Cross?]Dressing in Griffith’s Biograph Films: Humor, Heroics, and Edna ‘Billy’ Foster’s Good Bad Boys 284
Laura Horak
12 Space, Gender, Oversight, and Social Change: Progressivism and the Films of D.W. Griffith, 1909-1916 309
Moya Luckett
13 Progressive Pastoral: Social Justice Reforms and Biograph Films, 1908-1911 330
Grant Wiedenfeld
Part Five Revisiting Failed Features
14 Gendering Ministry and Reform: Griffith and the Plight of Protestant Uplift 361
Anne Morey
15 ‘Squalid Without Being Tragic’: Griffith’s ‘Isn’t Life Wonderful’ 385
Russell Merritt
16 Faust at Famous Players 423
Andrew Nelson
17 Griffith in a Minor Key: Early Art Cinema Looking Backward 440
Kaveh Askari
Part Six Reception at Home and Abroad
18 ‘Damage Unwittingly Done’: D.W. Griffith and the Re?]Birth of the Ku Klux Klan 463
Tom Rice
19 ‘History by Lightning’: D.W. Griffith in South Africa 486
Nicole Devarenne
20 Blossoms Breaking at the Dawn of Cinephilia: The Reception of D.W. Griffith in France 510
Annie Fee
21 The legacy of Intolerance 533
Paul Mc Ewan
Index
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Charlie Keil is the Principal of Innis College, and is also a Professor at the Cinema Studies Institute and History Department at the University of Toronto. He has published six books, many focusing on aspects of silent cinema. He is an editorial board member of Cinema Journal, Canadian Journal of Film Studies, and Film Quarterly.
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