At the dawn of the twentieth century, the peak of the British colonial era, a visiting English schoolteacher and her traveling companion express a desire to see a more authentic side of India. One of their new friends, a young Muslim doctor, arranges a trip to a natural wonder, the Marabar Caves—a disastrous excursion that concludes with the schoolteacher accusing the doctor of attempting to rape her. His arrest and trial divide an already troubled Indian community, bringing its racial and sexual tensions to a boil.
Widely regarded as one of the greatest novels of the twentieth century, A Passage to India reflects the country’s rising nationalism. E. M. Forster’s 1924 tale offers a stirring condemnation of the abuses of British colonialism. Written at the height of Forster’s career, the book recaptures a heated political atmosphere and offers a foreigner’s view of India as a place of mystery and exotic beauty, inhabited by a people unknowable to outsiders.
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Edward Morgan Forster (1879–1970) wrote short stories, novels, and essays that espoused a humanist point of view. Forster portrayed the struggle to form personal connections within the restrictions of early 20th-century British society in such popular books as Howards End, A Room with a View, and A Passage to India.
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