Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia’s affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. This edition of Eliza Haywood’s Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.
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Eliza Haywood (1693-1756) was an English novelist, poet, playwright, actress, and publisher. Notoriously private, Haywood is a major figure in English literature about whom little is known for certain. Scholars believe she was born Eliza Fowler in Shropshire or London, but are unclear on the socioeconomic status of her family. She first appears in the public record in 1715, when she performed in an adaptation of Shakespeare’s Timon of Athens in Dublin. Famously portrayed as a woman of ill-repute in Alexander Pope’s Dunciad (1743), it is believed that Haywood had been deserted by her husband to raise their children alone. Pope’s account is likely to have come from poet Richard Savage, with whom Haywood was friends for several years beginning in 1719 before their falling out. This period coincided with the publication of Love in Excess (1719-1720), Haywood’s first and best-known novel. Alongside Delarivier Manley and Aphra Behn, Haywood was considered one of the leading romance writers of her time. Haywood’s novels, such as Idalia; or The Unfortunate Mistress (1723) and The Distress’d Orphan; or Love in a Madhouse (1726), often explore the domination and oppression of women by men. The History of Miss Betsy Thoughtless (1751), one of Haywood’s final novels, is a powerful story of a woman who leaves her abusive husband, experiences independence, and is pressured to marry once more. Highly regarded by feminist scholars today, Haywood was a prolific writer who revolutionized the English novel while raising a family, running a pamphlet shop in Covent Gardens, and pursuing a career as an actress and writer for some of London’s most prominent theaters.
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