Shortlisted for The 2019 Forward Prize for Best Collection
City of Departures is Helen Tookey’s second Carcanet collection, following her 2014 Missel-Child, an ‘exceptional volume… from a powerful and intelligent imagination’ (Jeffrey Wainwright). City of Departures is a collection of uncanny spaces and fleeting encounters, an urban patchwork of glimpsed moments and chance affiliations. Through them, Tookey explores the ways in which we create meaning and connection in these kinds of spaces, and how the nature of those connections — often temporary and provisional — affects who we are, and who we are becoming.
Tookey’s work has a new formal inventiveness and experimental temperament. The collection mixes prose and verse, and a multitude of voices and structures mingle on its pages. The poems connect through repeated images, themes and tones, which echo and re-echo. Their loci are neglected houses and gardens, canals, wrecked boats… liminal worlds where absence has a presence of its own, fertile ground for ghosts, fantasies, memories, and dreams.
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Helen Tookey was born near Leicester in 1969. She is now based in Liverpool, where she teaches creative writing at Liverpool John Moores University. She studied philosophy and English literature at university, and has published critical work about writers including Anaïs Nin and Malcolm Lowry. Her debut collection Missel-Child (Carcanet, 2014) was shortlisted for the Seamus Heaney Centre Prize for First Full Collection. Her pamphlet In the Glasshouse was published by Happen Stance Press in 2016, and the CD/booklet If You Put Out Your Hand, a collaboration with musician Sharron Kraus, came out from Wounded Wolf Press in 2016. She has recently been collaborating with composer and sound artist Martin Heslop, putting text together with electronic soundscapes.
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