How Chinese is contemporary Chinese art? Treasured by collectors, critics, and art world cognoscenti, this art developed within an avant-garde that looked West to find a language to strike out against government control. Traditionally, Chinese artistic expression has been related to the structure and function of the Chinese language and the assumptions of Chinese natural cosmology. Is contemporary Chinese art rooted in these traditions or is it an example of cultural self-colonization? Contributors to this volume address this question, going beyond the more obvious political and social commentaries on contemporary Chinese art to find resonances between contemporary artistic ideas and the indigenous sources of Chinese cultural self-understanding.
Focusing in particular on the acclaimed artist Xu Bing, this book looks at how he and his peers have navigated between two different cultural sites to establish a third place, a place from which to appropriate Western ideas and use them to address centuries-old Chinese cultural issues within a Chinese cultural discourse.
İçerik tablosu
Acknowledgments
List of Illustrations
A Dilemma in Contemporary Chinese Art: An Introduction
Hsingyuan Tsao & Roger T. Ames
1. Reading and Misreading: Double Entendre in Locally Oriented Logos
Hsingyuan Tsao
2. Reading Xu Bing’s
A Book from the Sky: A Case Study in the Making of Meaning
Roger T. Ames
3. Seriousness, Playfulness, and a Religious Reading of
Tianshu
Kuan-Hung Chen
4. Making Natural Languages in Contemporary Chinese Art
Richard Vinograd
5. The Living Word: Xu Bing and the Art of Chan Wordplay
April Liu
6. Transmission of Meanings: A Study of
Shen Wai Shen (Body Outside Body) by Xu Bing
Kazuko Kameda-Madar
7. The Space Between: Cross-Cultural Encounters in Contemporary Chinese Art
Jerome Silbergeld
Appendix 1. Bibliography on Xu Bing and Related Issues in Contemporary Chinese Art
Zoe Li
Appendix 2. List of Important Events between 1979 and 2005
Susan Chang
List of Contributors
Index
Yazar hakkında
Hsingyuan Tsao is Assistant Professor of Art History at the University of British Columbia.
Roger T. Ames is Professor of Philosophy at the University of Hawai’i at Mānoa and editor of
Philosophy East and West. His many books include
Confucian Cultures of Authority (coedited with Peter D. Hershock) and the translation (with D. C. Lau) of the classic Chinese work
Sun Bin: The Art of Warfare, both also published by SUNY Press.
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