Janine Marchessault 
Ecstatic Worlds [EPUB ebook] 

Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors …

A Sourcebook of Performance Labor presents the views and experiences of collaborators in other artists’ works. This book reorients well-known works of contemporary performance and social practice aro …

 Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity acr …

One of the earliest documented Scottish song collectors actually to go ”into the field” to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 – contemporaneously …

This edition of the text has been rewritten and re-illustrated to take account of the extensive new excavations and interpretations that have taken place since the book was first published twenty yea …

This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the …

Conservators and other museum professionals face a large number of issues involving the mechanical behavior of materials, including questions on craquelure, restoring physically damaged objects, art …

This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological co …

Trauma and Resilience in Music Education: Haunted Melodies considers the effects of trauma on both teachers and students in the music classroom, exploring music as a means for working through traumat …

First Published in 2000. Why do we go to the theater? There”s a question! Or put it this way: Why, oh why, do we go to the theater? If we go to a movie and it isn”t any good, well it”s not the end …