Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and ‘the gaps between them’, drawing attention to what he calls ‘the rich oddness of what we take for granted’.
This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls ‘heavy entertainment’ – strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.
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Jonathan Meades is a writer, journalist, essayist and film-maker. His books include three works of fiction – Filthy English, Pompey and The Fowler Family Business – and several collections including Museum Without Walls, which received thirteen nominations as a book of the year in 2012. An Encyclopaedia of Myself was shortlisted for the PEN Ackerley Prize and longlisted for the Samuel Johnson Prize in 2014. His first and only cookbook, The Plagiarist in the Kitchen, was published in 2017.
Meades has written and performed in more than sixty highly acclaimed television films on predominantly topographical subjects such as shacks, garden cities, megastructures, buildings associated with vertigo, beer, pigs, and the architecture of Hitler, Stalin, Mussolini and Franco. He also creates artknacks and treyfs. Treyf means impure, not kosher: it sums up his approach to all writing, film and art.
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