Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva’s probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion.
One of Kristeva’s most passionate and transporting works, Teresa, My Love interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq’s—and Kristeva’s—journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character.
İçerik tablosu
Abbreviations and Chronology
Part 1: The Nothingness of All Things
1. Present by Default
2. Mystical Seduction
3. Dreaming, Music, Ocean
4. Homo Viator
Part 2: Understanding Through Fiction
5. Prayer, Writing, Politics
6. How to Write Sensible Experience, or, of Water as the Fiction of Touch
7. The Imaginary of an Unfindable Sense Curled Into a God Findable in Me
Part 3: The Wanderer
8. Everything So Constrained Me
9. Her Lovesickness
10. The Ideal Father and the Host
Part 4: Extreme Letters, Extremes of Being
11. Bombs and Ramparts
12. ‘Cristo como hombre’
13. Image, Vision, and Rapture
14. ‘The soul isn’t in possession of its senses, but it rejoices’
15. A Clinical Lucidity
16. The Minx and the Sage
17. Better to Hide…?
18. ‘… Or ‘to do what lies within my power’ ‘?
19. From Hell to Foundation
Part 5: From Ecstasy to Action
20. The Great Tide
21. Saint Joseph, the Virgin Mary, and His Majesty
22. The Maternal Vocation
23. Constituting Time
24. Tutti a cavallo
Part 6: Foundation–Persecution
25. The Mystic and the Jester
26. A Father Is Beaten to Death
27. A Runaway Girl
28. ‘Give me trials, Lord; give me persecutions’
29. ‘With the ears of the soul’
Part 7: Dialogues from Beyond the Grave
30. Act I. Her Women
31. Act II. Her Eliseus
32. Act III: Her ‘Little Seneca’
33. Act IV. The Analyst’s Farewell
Part 8: Postscript
34. Letter to Denis Diderot on the Infinitesimal Subversion of a Nun
Notes
Sources
Yazar hakkında
Julia Kristeva is professor emerita of linguistics at the Université de Paris VII. A renowned psychoanalyst, philosopher, and linguist, she has written dozens of books spanning semiotics, political theory, literary criticism, gender and sex, and cultural critique, as well as several novels and autobiographical works, published in English translation by Columbia University Press. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 “for innovative explorations of questions on the intersection of language, culture, and literature.”
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