While the scientific study of vision is well-advanced, a universal
theory of qualitative visual appearances (texture, shape, colour
and so on) is still lacking. This interdisciplinary handbook
presents the work of leading researchers around the world who have
taken up the challenge of defining and formalizing the field of
‘experimental phenomenology’.
* Presents and discusses a new perspective in vision science, and
formalizes a field of study that will become increasingly
significant to researchers in visual science and beyond
* The contributors are outstanding scholars in their fields with
impeccable academic credentials, including Jan J. Koenderink,
Irving Biederman, Donald Hoffmann, Steven Zucker and Nikos
Logothetis
* Divided into five parts: Linking Psychophysics and Qualities;
Qualities in Space, Time and Motion; Appearances; Measurement and
Qualities; Science and Aesthetics of Appearances
* Each chapter will have the same structure consisting of: topic
overview; historical roots; debate; new perspective; methods;
results and recent developments
İçerik tablosu
About the Editor vii
About the Contributors ix
Preface xiii
Experimental Phenomenology: An Introduction 1
Liliana Albertazzi
Part I Linking Psychophysics and Qualities 37
1 Inferential and Ecological Theories of Visual Perception 39
Joseph S. Lappin
2 Public Objects and Private Qualia: The Scope and Limits of
Psychophysics 71
Donald D. Hoffman
3 The Attribute of Realness and the Internal Organization of
Perceptual Reality 91
Rainer Mausfeld
4 Multistable Visual Perception as a Gateway to the Neuronal
Correlates of Phenomenal Consciousness: The Scope and Limits of
Neuroscientifi c Analysis 119
Theofanis I. Panagiotaropoulos and Nikos K. Logothetis
5 Phenomenal Qualities and the Development of Perceptual
Integration 145
Mariann Hudák, Zoltan Jakab, and Ilona Kovács
Part II Qualities in Space, Time, and Motion 163
6 Surface Shape, the Science and the Looks 165
Jan J. Koenderink
7 Experimental Phenomenology of Visual 3D Space: Considerations
from Evolution, Perception, and Philosophy 181
Dhanraj Vishwanath
8 Spatial and Form-Giving Qualities of Light 205
Sylvia C. Pont
9 Image Motion and the Appearance of Objects 223
Katja Dörschner
10 The Role of Stimulus Properties and Cognitive Processes in
the Quality of the Multisensory Perception of Synchrony 243
Argiro Vatakis
Part III Appearances 265
11 Appearances From a Radical Standpoint 267
Liliana Albertazzi
12 How Attention Can Alter Appearances 291
Peter U. Tse, Eric A. Reavis, Peter J. Kohler, Gideon P.
Caplovitz, and Thalia Wheatley
13 Illusion and Illusoriness: New Perceptual Issues and New
Phenomena 317
Baingio Pinna
14 Qualitative Inference Rules for Perceptual Transparency
343
Osvaldo Da Pos and Luigi Burigana
15 The Perceptual Quality of Color 369
Anya Hurlbert
16 The Aesthetic Appeal of Visual Qualities 395
Gert van Tonder and Branka Spehar
Part IV Measurement and Qualities 415
17 Psychophysical and Neural Correlates of the Phenomenology of
Shape 417
Irving Biederman
18 What Are Intermediate-Level Visual Features? 437
Steven W. Zucker
19 Basic Colors and Image Features: The Case for an Analogy
449
Lewis D. Griffin
20 Measuring the Immeasurable: Quantitative Analyses of
Perceptual Experiments 477
Luisa Canal and Rocco Micciolo
21 The Non-Accidentalness Principle for Visual Perception
499
Agnès Desolneux, Lionel Moisan, and Jean-Michel
Morel
Name Index 515
Subject Index 529
Yazar hakkında
Liliana Albertazzi is a Principal Investigator at the Center for Mind/Brain Sciences (CIMEC), and Professor at the Department of Humanities of Trento University, Italy. Her research investigates phenomenal qualities, and the nature of perceptual space/time and visual operations. She has led a major international project to develop an accurate descriptive theory of appearances on an experimental basis. She is the editor of Perception Beyond Inference: The Information Content of Visual Processes (2011).
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