Born Norma Jeane Mortenson, Marilyn Monroe was an actress, singer and sex symbol whose influence far outlasted her short life. Contributors to Fan Phenomena: Marilyn Monroe situate the platinum blonde starlet’s omnipresent cultural relevance within the zeitgeist of current popular culture and explore the influence she has had on numerous elements of it. Her aesthetics and images have been re-appropriated, recreated, imitated and emulated by such celebrities as Lindsay Lohan, Jayne Mansfield, Drew Barrymore, Anna Nicole Smith and Madonna.
The quintessential American sex symbol, Monroe was an influential style icon for a spectrum of designers, including Dolce and Gabbana, Betsey Johnson and Nike, all of whom have named lines of clothing, shoes or accessories after the star. The essays here explore representations of Monroe in visual culture by looking at the ways she is reimagined in visual art while also considering how her posthumous appearance and image are appropriated in current advertisements. With an inside look at the universe of Marilyn Monroe impersonators and look-alike contests for both males and females, the book also explores numerous homages to Monroe in music, from the 1979 opera Marilyn by Lorenzo Ferrero to Nicki Minaj’s song ‘Marilyn Monroe.’ The definitive guide to one of the most famous women who ever lived, the book will be essential reading for any scholar of twentieth-century American popular culture.
İçerik tablosu
Chapter 1: Timeless Stars and New Spotlights: Looking for Marilyn Monroe on You Tube, Louise Elali and Catalina Vázquez
Chapter 2: Lipstick Thespians: Being Marilyn Monroe after 5 August 1962, Ross Sloan
Chapter 3: Marilyn is a Smash: Depicting the Icon in NBC’s Musical Drama, Raquel Crisóstomo
Chapter 4: Marilyn Monroe’s Dresses, Ange Webb
Chapter 5: Performing Marilyn: Michelle Williams in My Week with Marilyn, Zachary Ingle
Chapter 6: The 50th Anniversary of Marilyn Monroe’s Death, Scott Fortner
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Marcelline Block is a lecturer in history at Princeton University, where she is completing her Ph.D. in French. She is the editor or co-editor of several volumes, including Situating the Feminist Gaze and Spectatorship in Postwar Cinema.
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