E-kitap > İnsan Bilimleri > Sanat / Mimari > Genel, Ansiklopediler > Meriem Pages & Robert G. Sullivan: Art and Violence in the Middle Ages and the Renaissance (PDF)

Meriem Pages & Robert G. Sullivan
Art and Violence in the Middle Ages and the Renaissance [PDF ebook]

Destek

Örtmek Meriem Pages & Robert G. Sullivan: Art and Violence in the Middle Ages and the Renaissance (PDF)

This collection of essays explores the intersection of art and violence in the Middle Ages and the Renaissance. It will appeal primarily to students and scholars in the fields of Medieval and Renaissance Studies, and will also be of interest to readers with an interest in medieval and early modern art history.

€115.67

Bu e-kitabı satın alın ve 1 tane daha ÜCRETSİZ kazanın!

Biçim PDF ● Sayfalar 225 ● ISBN 9781527563346 ● Editör Meriem Pages & Robert G. Sullivan ● Yayımcı Cambridge Scholars Publishing ● Yayınlanan 2020 ● İndirilebilir 3 kez ● Döviz EUR ● Kimlik 9280769 ● Kopya koruma Adobe DRM

DRM özellikli bir e-kitap okuyucu gerektirir

Aynı yazardan daha fazla e-kitap / Editör

Meriem Pagès Robert G. Sullivan

23.585 Bu kategorideki e-kitaplar

Örtmek Robin (Open University, UK) Roy: Consumer Product Innovation and Sustainable Design

Robin (Open University, UK) Roy: Consumer Product Innovation and Sustainable Design

Consumer Product Innovation and Sustainable Design follows the innovation and evolution of consumer products from vacuum cleaners to mobile phones from their original inventions to the present day. I …

Örtmek Francis Collinson: The Bagpipe

Francis Collinson: The Bagpipe

Originally published in 1975, and written by an authority on Scottish music, this book traces the evolution of the bagpipe whilst also narrating the fortunes of the ‘Great Highland Bagpipe’ itself. E …

Örtmek Michelle Langford: Allegory in Iranian Cinema

Michelle Langford: Allegory in Iranian Cinema

Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found …

Örtmek Thomas Forget: The Construction of Drawings and Movies

Thomas Forget: The Construction of Drawings and Movies

The architectural imagery that you create is most effective when it examines your project in an abstract manner. Most students and practitioners understand linear perspective and cinema to be example …

Örtmek Regula Burckhardt Qureshi: Music and Marx

Regula Burckhardt Qureshi: Music and Marx

Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary m …

Örtmek Jonathan Chapman: Emotionally Durable Design

Jonathan Chapman: Emotionally Durable Design

Emotionally Durable Design presents counterpoints to our ‘throwaway society’ by developing powerful design tools, methods and frameworks that build resilience into relationships between people and th …

Örtmek Kim Burwell: Studio-Based Instrumental Learning

Kim Burwell: Studio-Based Instrumental Learning

In Studio-Based Instrumental Learning, Kim Burwell investigates the nature of lesson interactions in instrumental teaching and learning. Studio lesson activity is represented as a private interaction …

Örtmek Barbara E. Hendricks: Designing for Play

Barbara E. Hendricks: Designing for Play

Architects, landscape designers, builders, gardeners and teachers have all at some time been called upon to design a play area. Unfortunately, this diversity has not resulted in a similar diversity o …

Örtmek Steve Binnie: Feeling Like a Number One

Steve Binnie: Feeling Like a Number One

1980 was an important year for Top of the Pops: it was the year it began to transform from a light entertainment show into essential viewing for pop music aficionados. The transition didn’t happen ov …

Örtmek Luther Link: Devil

Luther Link: Devil

‘highly entertaining and informative… This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it.’— The Spectator ‘as comp …

Sonraki Sayfa >>>