Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature.
These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol’s style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
İçerik tablosu
Acknowledgments
Introduction, by Susanne Fusso
Notes on the Translation
Table of Ranks
1. The Lost Letter
2. Viy
3. The Portrait (1835 version)
4. Nevsky Avenue
5. Diary of a Madman
6. The Carriage
7. The Nose
8. Rome (A Fragment)
9. The Overcoat
Notes
Yazar hakkında
Susanne Fusso is professor of Russian, East European, and Eurasian Studies at Wesleyan University. She is the translator of Trepanation of the Skull by Sergey Gandlevsky, and the author of Editing Turgenev, Dostoevsky, and Tolstoy: Mikhail Katkov and the Great Russian Novel (NIU Press, 2017).
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