Sue-Ellen Case 
Feminism and Theatre [PDF ebook] 

Consumer Product Innovation and Sustainable Design follows the innovation and evolution of consumer products from vacuum cleaners to mobile phones from their original inventions to the present day. I …

Originally published in 1975, and written by an authority on Scottish music, this book traces the evolution of the bagpipe whilst also narrating the fortunes of the ‘Great Highland Bagpipe’ itself. E …

Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found …

Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary m …

The architectural imagery that you create is most effective when it examines your project in an abstract manner. Most students and practitioners understand linear perspective and cinema to be example …

Emotionally Durable Design presents counterpoints to our ‘throwaway society’ by developing powerful design tools, methods and frameworks that build resilience into relationships between people and th …

In Studio-Based Instrumental Learning, Kim Burwell investigates the nature of lesson interactions in instrumental teaching and learning. Studio lesson activity is represented as a private interaction …

Architects, landscape designers, builders, gardeners and teachers have all at some time been called upon to design a play area. Unfortunately, this diversity has not resulted in a similar diversity o …

1980 was an important year for Top of the Pops: it was the year it began to transform from a light entertainment show into essential viewing for pop music aficionados. The transition didn’t happen ov …

‘highly entertaining and informative… This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it.’— The Spectator ‘as comp …