Far from the Madding Crowd Thomas Hardy – Far from the Madding Crowd is perhaps the most pastoral of Hardy’s Wessex novels. It tells the story of the young farmer Gabriel Oak and his love for and pursuit of the elusive Bathsheba Everdene, whose wayward nature leads her to both tragedy and true love.
It tells of the dashing Sergeant Troy whose rakish philosophy of life was ‘…the past was yesterday; never, the day after’, and lastly, of the introverted and reclusive gentleman farmer, Mr Boldwood, whose love fills him with ‘…a fearful sense of exposure’, when he first sets eyes on Bathsheba.
The background of this tale is the Wessex countryside in all its moods, contriving to make it one of the most English of great English novels.
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Thomas Hardy, OM, was an English author of the naturalist movement, although in several poems he displays elements of the previous romantic and enlightenment periods of literature, such as his fascination with the supernatural. He regarded himself primarily as a poet and composed novels mainly for financial gain.
The bulk of his work, set mainly in the semi-fictional land of Wessex, delineates characters struggling against their passions and circumstances. Hardy’s poetry, first published in his 50s, has come to be as well regarded as his novels, especially after The Movement of the 1950s and 1960s.
The term cliffhanger is considered to have originated with Thomas Hardy’s serial novel A Pair of Blue Eyes in 1873. In the novel, Hardy chose to leave one of his protagonists, Knight, literally hanging off a cliff staring into the stony eyes of a trilobite embedded in the rock that has been dead for millions of years. This became the archetypal — and literal — cliff-hanger of Victorian prose.
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