From the mid-1950s to the mid-1970s, Japan experienced an unprecedented level of economic growth, transforming itself from a war-devastated country to a global economic power. Our image of postwar Japan has been shaped by this event, and we tend to see its history as a story of great national success.
Cinema of Discontent challenges this view and details the tensions generated by massive and intense capitalist development through analyses of popular cinema produced during the era of high-speed growth. The films discussed in this book, directed by Kawashima Yūzō, Masumura Yasuzō, Inoue Akira, Ezaki Mio, and Kumashiro Tatsumi, attracted broad audiences yet remain understudied.
Cinema of Discontent contextualizes these films in relation to the politics, economy, intellectual discourse, and cultural texts of the time. By doing so, it demonstrates how these films address problems immanent to Japan’s postwar capitalism, including uneven development, increasing corporate control over individuals, precarious and contingent work, and militarized peace and prosperity.
İçerik tablosu
List of Illustrations
Acknowledgments
Introduction: Narrating High-Speed Growth through Film
1. Drifting in Tokyo: Reconstruction and Uneven Development in Kawashima Yūzō’s
Susaki Paradise Red Light (1956)
2. A Girl from Izu: Labor Migration and Modern Subjectivity in Masumura Yasuzō’s
Blue-Sky Girl(1957)
3. Osaka, City of Spies: The Powerless Worker in Industrial Society in Inoue Akira’s
Black Weapon (1964)
4. Yokohama Romance: The Cold War, Revolution, and Asian Solidarity in Ezaki Mio’s
A Warm Misty Night (1967)
5. Waiting for Spring in Shiretoko: A Postscript to High-Speed Growth in Kumashiro Tatsumi’s
The Light of Africa (1975)
Coda
Notes
Bibliography
Filmography
Index
Yazar hakkında
Tomoyuki Sasaki is Associate Professor of Japanese Studies at the College of William & Mary. He is the author of
Japan’s Postwar Military and Civil Society: Contesting a Better Life.
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