The early Chinese text Master Zhuang (Zhuangzi) is well known for its relativistic philosophy and colorful anecdotes. In the work, Zhuang Zhou ca. 300 B.C.E.) dreams that he is a butterfly and wonders, upon awaking, if he in fact dreamed that he was a butterfly or if the butterfly is now dreaming that it is Zhuang Zhou. The text also recounts Master Zhuang’s encounter with a skull, which praises the pleasures of death over the toil of living. This anecdote became popular with Chinese poets of the second and third century C.E. and found renewed significance with the founders of Quanzhen Daoism in the twelfth century.
The Quanzhen masters transformed the skull into a skeleton and treated the object as a metonym for death and a symbol of the refusal of enlightenment. Later preachers made further revisions, adding Master Zhuang’s resurrection of the skeleton, a series of accusations made by the skeleton against the philosopher, and the enlightenment of the magistrate who judges their case. The legend of the skeleton was widely popular throughout the Ming dynasty (1368–1644), and the fiction writer Lu Xun (1881–1936) reimagined it in the modern era. The first book in English to trace the development of the legend and its relationship to centuries of change in Chinese philosophy and culture, The Resurrected Skeleton translates and contextualizes the story’s major adaptations and draws parallels with the Muslim legend of Jesus’s encounter with a skull and the European tradition of the Dance of Death. Translated works include versions of the legend in the form of popular ballads and plays, together with Lu Xun’s short story of the 1930s, underlining the continuity between traditional and modern Chinese culture.
İçerik tablosu
Acknowledgments
Introduction
1. Two Narrative Daoqing
2. One Late Ming Play
3. One Youth Book
4. One Precious Scroll
5. One Modern Parody
Appendix 1. Three Rhapsodies
Appendix 2. Twenty-One Lyrics
Appendix 3. Ten Skeletons
Character List
Bibliography
Index
Yazar hakkında
Wilt L. Idema is Research Professor of Chinese Literature at Harvard University. He has published widely on traditional Chinese vernacular fiction and drama and is fascinated by works at the intersection of literature and religion. In recent years, he has published a number of anthologies of plays and ballads concerning traditional Chinese legends and folktales. These books include
‘The Orphan of Zhao’ and Other Yuan Plays: The Earliest Known Versions (with Stephen H. West); J
udge Bao and the Rule of Law: Eight Ballad-Stories from the Period 1250–1450;
Meng Jiangnü Brings Down the Great Wall: Ten Versions of a Chinese Legend; and
Escape from Blood Pond Hell: The Tales of Mulian and Woman Huang (with Beata Grant).
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