Octavio Paz meets J.G. Ballard meets David Attenborough in these suspenseful and lyrical future fiction tales of hybrid species and aqua technologies. ‘Meanda’ takes place on an ocean exoplanet and is a story of first contact. ‘Asbru’ tangles scientific researchers in the fronds of Icelandic algae. The stories engage with the behaviours and properties of water. Other stories explore slime technologies. These fictions are spawned by aquatic flora and fauna, such as spitting fish, inking squids and singing whales. and above all, they are inspired by water itself.
Table of Content
Earth’s Lament
Meanda
The Extraterrestrial
FORD
The Water Age
Asbru
Notes
Thanks
About the Author
About the author
Tracey Warr is a fiction and non-fiction writer. She describes herself as writing in the vicinity of art. She has been an invited writer in the following international projects: Exoplanet Lot (Maison des Art Georges et Claude Pompidou), Frontiers in Retreat (HIAP, Finland) and Zooetics (Jutempus, Lithuania). She was a senior university lecturer including posts at Darlington College of Arts, Oxford Brookes University and Bauhaus University. Her historical novels, set in France, England and Wales, are published by Impress Books: Almodis the Peaceweaver (2011), The Viking Hostage (2014), Conquest I: Daughter of the Last King (2016) and Conquest II: The Drowned Court (2017). www.impress-books.co.uk. Her fiction has received awards from Literature Wales and Santander and was shortlisted for the Impress Prize. Her published work on contemporary art includes The Artist’s Body (Phaidon, 2000), Remote Performances in Nature and Architecture (Routledge, 2015) and The Midden (Garret, 2018) and many essays published with Tate, Intellect, Merrell/Barbican and others. She is currently working on a biography entitled Three Female Lords, about three sisters who lived in southern France and northern Spain in the 11th century. The biography has been supported by an Authors’ Foundation Award. traceywarrwriting.com
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