For Alain Badiou, theatre-unlike cinema-creates a space in which philosophy can be lived. It is, of all the arts, the most closely related to politics: both depend on a limited number of texts or statements, which are collectively enacted by a group of actors or militants who test the limits of the structure inn which they are confined, be it the medium of drama or the nation-state. For this reason, the history of theatre is inseparable from the history of state repression and censorship.
This definitive collection of Badiou’s work on the theatre includes not only the title essay ‘Rhapsody for the Theatre, ‘ originally published as a pamphlet in France, but also essay on Jean-Paul Sartre, on the political destiny of contemporary drama, and on Badiou’s own work as a playwright.
Про автора
Bruno Bosteels, Professor of Romance Studies at Cornell University, is the author of Badiou and Politics, Marx and Freud in Latin America, and The Actuality of Communism. He is also the translator of several books by Alain Badiou: Theory of the Subject, Can Politics Be Thought? and What Is Antiphilosophy? Essays on Kierkegaard, Nietzsche, and Lacan. He currently serves as the General Editor of Diacritics.
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