Автор: Anna Artwinska

This volume addresses a problem of high controversy: Relating the Holocaust to poetic and aesthetic phenomena has often been seen as a taboo, as only authentic testimonies, documents, or at least ‘un …

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The concept of “camp narratives” rather than “Holocaust narratives” or “Gulag narratives” is based on the assumption that literary accounts of camp experiences share common traits, aesthetically as w …

Wie sind die Entwicklungen der Gender Studies vor dem Hintergrund ihrer Historie zu verstehen? Die Beiträger*innen des Bandes diskutieren diese Frage in drei thematischen Blöcken: Biografische Reflex …

The Afterlife of the Shoah in Central and Eastern European Cultures is a collection of essays by literary scholars from Germany, the US, and Central Eastern Europe offering insight into the specific …

The Afterlife of the Shoah in Central and Eastern European Cultures is a collection of essays by literary scholars from Germany, the US, and Central Eastern Europe offering insight into the specific …

Communism in twentieth-century Europe is predominantly narrated as a totalitarian movement and/or regime. This book aims to go beyond this narrative and provide an alternative framework to describe t …

Communism in twentieth-century Europe is predominantly narrated as a totalitarian movement and/or regime. This book aims to go beyond this narrative and provide an alternative framework to describe t …

Maria Kuncewiczowa (1895–1989) setzte mit »Zwei Monde« dem Weichselstädtchen Kazimierz Dolny ein Denkmal. Als junge Frau hatte sie in der malerischen Stadt ein Haus entdeckt, »versunken in Gänsefuß u …

The concept of "camp narratives" rather than "Holocaust narratives" or "Gulag narratives" is based on the assumption that literary accounts of camp experiences share com …

This volume examines Ibero-American as well as Slavic literatures of the 21st century and studies how historical imaginaries in family narratives are functionalized for both individual and collective …