Фотографія, кіно, відео, телебачення

This ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian films. It examines debates that arise over aesthetic styles and the cultural and tradi …

On June 26, 2015, Supreme Court Justice Anthony Kennedy declared same-sex marriage ‘is so ordered’ across the United States. The day will no doubt be remembered as a landmark shift in how U.S. societ …

*** Winner of the2019 Flaiano Prize in the category Italian Studies *** In Fellini”s Eternal Rome, Alessandro Carrera explores the co-existence and conflict of paganism and Christianity in the works …

The Actor”s Survival Guide: How to Make Your Way in Hollywood is a handbook and essential guide to the business of living and working as an actor in the Los Angeles area. Exploring the experience of …

Shooting Terror highlights the disturbing immediacy of acts of terror and how cinema responds to them. It follows the changing representations of terrorism in Hindi cinema by fielding in-depth textua …

Federico Fellini”s masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed …

Twenty years ago, animated features were widely perceived as cartoons for children. Today, though, they encompass an astonishing range of films, styles and techniques. There is the powerful adult dra …

This teaching pack, suitable for AS/A2 Media and Film Studies, offers a suitable case study for industry and institution and help students demonstrate an understanding of key concepts and contemporar …

The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely ”unsung” by histories of the studio era. Yet film sound – voice, music and sound effects – is a cr …

A Dogme film, ”The Idiots” is quintessential Lars von Trier and perhaps his most powerful work. John Rockwell shows how it relates to the other two films in the ”Good Woman” trilogy, as well as v …