The Beatles and the Beatlesque address a paradox emanating from The Beatles’ music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles’ songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles’ music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs ‘in the making’).
Зміст
Preface.- Introduction.- 1. A brief history of The Beatles in the studio.- 2. Style and sound.- 3. The difficulty of defining the Beatles style.- 4. Crossdisciplinary reflections: production vs. multimodality studies, narratology, and film studies.- 5. Birth and fortune of the “Beatlesque”: Transmission of creativity and legacy.- Appendix.- Bibliography.- Index of names.- Index of songs, albums, and other artworks.
Про автора
Prof. Dr. Dario Martinelli (1974), musicologist and semiotician, is Full Professor of History and Theory of Arts at Kaunas University of Technology. He is also affiliated with the University of Helsinki, as Adjunct Professor in Semiotics and Musicology, and with the University of Lapland, as Adjunct Professor in Methodologies of Semiotics and Communication Studies. He is also Editor-in-chief of the series “Numanities – Arts and Humanities in Progress“, published by Springer. Martinelli has been recipient of several prizes, including, in 2006, a knighthood from the Italian Republic for his contribution to Italian culture.
Paolo Bucciarelli (1974) is a music producer, songwriter and keyboard player. As a musician, he started his career in the second half of the 90’s, in the Italian pop/rock band Giuliodorme, signed to BMG in 1996. After the band’s break-up, Bucciarelli graduated in Record Production at the London College of Music, and began his activity as producer in England, Italy and Finland. In 2003, he composed the soundtrack for Alessandro Nico Savino’s ‘5 e Mezza in Punto’. Since 2004, Bucciarelli has also been active as a musicologist, giving lectures and seminars at the University of Helsinki, the Finnish Institute of Technology and the Evtek University of Applied Sciences in Helsinki.
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