In ‘A Journalist’s Note-Book, ‘ Frank Frankfort Moore offers an incisive exploration of the journalistic profession during a pivotal period in history. This collection of essays and reflections is characterized by its eloquent prose and keen observations, which illuminate the moral complexities and ethical dilemmas faced by journalists in an ever-evolving media landscape. Written during the late 19th and early 20th centuries, the book captures the zeitgeist of the era, providing a historical lens through which modern readers can analyze current journalistic practices. Moore’s unique narrative style intertwines personal anecdotes with broader societal critiques, establishing a literary context that bridges the gap between journalism and literature, while probing pressing issues such as truth and responsibility in reporting. Frank Frankfort Moore was not only a journalist but also a novelist and playwright, which enriched his perspective on reporting and storytelling. His extensive experience in various media forms equipped him with the insights necessary to critique journalism from within. The author’s encounters with significant historical events and figures of his time informed his understanding of the media’s impact on public perception and governance, making his reflections particularly relevant. ‘A Journalist’s Note-Book’ is essential reading for anyone intrigued by the ethics of journalism, the evolution of media, and the role of the writer in society. Moore’s perceptive commentary serves as both a historical document and a timeless inquiry into the truths that underlie the pursuit of journalism, rendering this book a significant addition to both literature and media studies.
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Frank Frankfort Moore (1855-1931) was an Irish novelist, poet, and dramatist known for his versatility and productivity in the literary world of his time. His early career was marked by poetry and literary criticism, but he is best remembered for his novels and his journalistic endeavors, which provided a keen insight into the social milieu of his era. One of Moore’s significant contributions is ‘A Journalist’s Note-Book’ where he shared an insider’s glimpse into the bustling world of Victorian journalism, underlining his acute observational skills and adept storytelling. Moore’s literary style often alternated between satire and romance, reflecting the dichotomies of the age he lived in. His narrative was marked by a deft use of language that engaged a broad readership, from the casual reader to the more discerning critic. Moore’s other notable works include ‘The Jessamy Bride’ and ‘I Forbid the Banns, ‘ which contribute to his literary legacy. Although not as renowned today as some of his contemporaries, Moore’s work is a valuable part of the tapestry that made up the late 19th and early 20th-century literary scene, offering insights into the past and the evolving dynamics of journalism and society. His rich bibliography merits scholarly attention and provides a fascinating journey for readers interested in the historical evolution of storytelling and reporting.
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