In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situ …

Hearing Maskanda outlines how people make sense of their world through practicing and hearing maskanda music in South Africa. Having emerged in response to the experience of forced labour migration i …

The use of popular music in advertising represents one of the most pervasive mergers of cultural and commercial objectives in the modern age. Steady public response to popular music in television com …

Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by le …

For over a century, drummers have been turning to a variety of percussive traditions as prompts for the creation of new expressive possibilities on the drumset. In this book, Simon Barker sets out in …

Movie soundtrack music is big business. In both film studios and at major record labels, entire divisions focus exclusively on marketing movie music. Film composers like John Williams have become int …

A performing edition of nineteenth century Russian choral pieces by a range of composers in a variety of styles, this volume was prepared to accompany the book The Russian Court Chapel Choir by Carol …

John Antill (1904-1986) was one of the foremost composers of Australia”s post-colonial period. Although a relatively prolific and much esteemed composer in Australia, Antill”s wider reputation is s …

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experien …

Liverpool”s dynamic music scene gave the world The Beatles. What city could hope to follow that? But 12 years later, in 1974, lightning nearly struck twice. Deaf School were a band formed in John Le …