What do The Family Circus, Ziggy, and The Far Side have in common? They are all single-panel comics, a seemingly simple form that cartoonists have used in vastly different ways. Singular Sensations is the first book-length critical study to examine this important but long-neglected mode of cartoon art. Michelle Ann Abate provides an overview of how the American single-panel comic evolved, starting with Thomas Nast s political cartoons and R.F. Outcault s groundbreaking Yellow Kid series in the nineteenth century. In subsequent chapters, she explores everything from wry New Yorker cartoons to zany twenty-first-century comics like Bizarro. Offering an important corrective to the canonical definition of comics as sequential art, Abate reveals the complexity, artistry, and influence of the single-panel art form. Engaging with a wide range of historical time periods, sociopolitical subjects, and aesthetic styles, Singular Sensations demonstrates how comics as we know and love them would not be the same without single-panel titles. Abate s book brings the single-panel comic out of the margins and into the foreground.
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