In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ‘Mni Wiconi’-Water is Life-was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue.
In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the #No DAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making
Our History is the Future at once a work of history, a personal story, and a manifesto.
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Nick Estes is a citizen of the Lower Brule Sioux Tribe. He is an Assistant Professor in the American Studies Department at the University of New Mexico. In 2014, he co-founded The Red Nation, an Indigenous resistance organization. For 2017-2018, Estes was the American Democracy Fellow at the Charles Warren Center for Studies in American History at Harvard University.Estes is the author of the book Our History Is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance (Verso, 2019) and he co-edited Standing with Standing Rock: Voices from the #No DAPL Movement (University of Minnesota, 2019), which draws together more than thirty contributors, including leaders, scholars, and activists of the Standing Rock movement.Estes’ journalism and writing is also featured in the Intercept, Jacobin, Indian Country Today, The Funambulist Magazine, and High Country News.