In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out ...
Зміст
1. Introduction.- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid.- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance....
Про автора
Susan Flynn lectures at University of the Arts, London, UK, in Media Communications and Cultural Studies. A graduate of the Equality Studies Centre at University Col...