In Posts and Pasts: A Theory of Postcolonialism, Alfred J. Lopez argues for a formulation of postcolonial studies which diverges in three significant ways from current academic and institutional practices: 1) the postcolonial as diasporic, constituted by a series of dispersed and irregular criticisms not at all containable within a single set of parameters, whether historical, geographical, or socioeconomic; 2) the postcolonial as a distinct ontological moment in the life of a nation or people, in which it conceives itself as doubly haunted–on the one hand by the ‘memory in advance’ of a collective national future and on the other by its colonial past; and 3) the postcolonial as a distinct phenomenological moment, a radical break in the history of a relation between lords and bonds-women and -men.
Going further than previous studies to address the postcolonial as a diasporic body of texts and discourses, it looks at a remarkable variety of writers—Joseph Conrad, Wilson Harris, Jose Marti, Edward Kamau Brathwaite, Michelle Cliff, J. M. Coetzee, Franz Fanon, Gabriel Marcia Marquez, and Salman Rushdie.
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Acknowledgments
Introduction Posts and Pasts
Chapter One
The Other! The Other!: Conrad, Wilson Harris, and the Postcolonial Threshold of Capacity
Chapter Two
Specters of the Nation: Resistance, Criollismo, and the Ambivalence of the Neo-
Chapter Three
Whiteness and the Colonial Unconscious
Chapter Four
Toward a New Humanism. . . .: Fanon, Hegel, and the Crisis of Mastery
Chapter Five
Reason, the Native, and Desire: A Theory of Magical Realism
Conclusion
Magic, Realism, and the Post-
Notes
Biblography
Index
Giới thiệu về tác giả
Alfred J. Lopez is Assistant Professor of English at Florida International University.
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