The Jewish Question is foundational to the demographic transformation of the West, the revolution in its sexual and ethical mores, and to the trajectory of Western politics, art and culture. Battle Lines is a compendium of Brenton Sanderson’s best writing on Jewish influence on Western societies and culture. Originally featured on The Occidental Observer, these incisive and intellectually-stimulating essays (all revised and updated) range across the cultural landscape of the West, examining Jewish influence on politics, economics, music, art, literature, sexuality, and popular culture. Battle Lines includes a Foreword by Dr. Kevin Mac Donald, the author of The Culture of Critique and editor of The Occidental Observer and The Occidental Quarterly.
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FOREWORD by Dr. Kevin Mac Donald
INTRODUCTION
CHAPTER 1: Free to Lose: Jews, Whites and Libertarianism
CHAPTER 2: Why Mahler? Norman Lebrecht and the Construction of Jewish Genius
CHAPTER 3: Thomas Huxley on Group Competition and Ethics
CHAPTER 4: Revolutionary Yiddishland
CHAPTER 5: Jenji Kohan and the Jewish Hypersexualization of Western Culture
CHAPTER 6: Evil Genius: Constructing Wagner as Moral Pariah
CHAPTER 7: Jewcentricity
CHAPTER 8: The Pathetic Apologetics of Caroline Glick
CHAPTER 9: Mark Rothko, Abstract Expressionism and the Decline of Western Art
CHAPTER 10: The Devil That Never Dies
CHAPTER 11: The Indoctrination Game: Alan Turing as Jewish Proxy
CHAPTER 12: Why the Germans? Why the Jews?
CHAPTER 13: Balzac and the Jews
CHAPTER 14: Jews and Race: A Pre-Boasian Perspective
CHAPTER 15: Jill Soloway and the Jewish Transgender Agenda
CHAPTER 16: Jews and the Left
CHAPTER 17: Leonard Bernstein and the Jewish Cultural Ascendency
CHAPTER 18: The Pathetic Apologetics of Jonathan Sacks
CHAPTER 19: Tristan Tzara and the Jewish Roots of Dada
CHAPTER 20: Wagner Reclaimed
NOTES
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